Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Nils Hansteen
Fjordabat stevner ut Trondheim havn

ID: 95913

Nils Hansteen Fjordabat stevner ut Trondheim havn
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Nils Hansteen Fjordabat stevner ut Trondheim havn


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Nils Hansteen

(1855-1912) was a Norwegian painter. Nils Hansteen was born in Mo i Rana, in the county of Nordland, Norway. He attended the painting school of Knud Bergslien from 1873 and Peder Thurmann Cappelen (1874-1975). He later studied under Hans Gude in Karlsruhe from 1876 to 1877. He then lived in Munich (1877-1880), Italy (1880-1881) and Copenhagen (1887-1892). He was known principally as a landscape and marine painter. He painted in a naturalistic style, with motifs from marine and forest environments. Two of his paintings are owned by the National Gallery of Norway.  Related Paintings of Nils Hansteen :. | Burgomaster Hasselaar and His Wife | a romantic impression depicting handel making music at the keyboard with his friends. | Joseph Overseer of the Pharoahs Granaries, by Sir Lawrence Alma-Tadema, oil on canvas | Annunciation | van goyen looking out for a subject |
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Walter Jack Duncan
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Jacometto
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Adriaen Van Utrecht
Flemish Baroque Era Painter, 1599-1652 Flemish painter. He was apprenticed to Herman de Ryt in 1614 and later visited France, Italy and Germany before returning to Antwerp by 1625. He painted pantry scenes, farmyards with poultry, fish markets, game pieces, garlands and diverse still-lifes of fruit and vegetables. Game paintings are most frequent and reflect the influence of Frans Snyders. Adriaen adopted the same abundant displays of game, fruit and vegetables, usually set on a table parallel to the picture plane. Compositions typically fall in horizontal and vertical lines in contrast to the dynamic diagonals of Snyders. In large works, such as the Still-life with Game, Vegetables, Fruit and a Cockatoo (1650; Malibu, CA, Getty Mus.), Adriaen's accessories overflow the table on to the floor below. Baroque devices, such as a sweeping curtain and background window view, add movement and depth. Van Utrecht favoured warm earthen tones, especially grey-green, and a strong chiaroscuro light in his still-lifes; the latter may derive from his knowledge of Italian painting. The artist's style changed little during his career, save for the gradual elimination of figures in his paintings. The influence of Jan de Heem and Jan Fyt can also be seen in his later work.






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